KATHERINE MANSFIELD



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This blog is my labor of love and a little bit of an obsession. It is dedicated to the life and work of Katherine Mansfield

(October 14, 1888 to January 9, 1923)

Creator:
A Writer's Ruminations



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Virginia Woolf


acandleandawick:

For the third time this summer, though no other summer, I went to London on Monday, paid 5/- for a plate of ham, & said goodbye to Katherine. I had my euphemism at parting; about coming again before she goes; but it is useless to extend these farewell visits. They have something crowded & unnaturally calm too about them, & after all, visits can’t do away with the fact that she goes for two years, is ill, & heaven knows when we shall meet again. These partings make one pinch oneself as if to make sure of feeling. Do I feel this as much as I ought? Am I heartless? Will she mind my going either? And then, after noting my own callousness, all of a sudden comes the blankness of not having her to talk to. So on my side the feeling is genuine. A woman caring as I care for writing is rare enough I suppose to give me the queerest sense of echo coming back to me from her mind the second after I’ve spoken. Then, too, there’s something in what she says of our being the only women, at this moment (I must modestly limit this to in our circle) with gift enough to make talk of writing interesting. How much I dictate to other people! How often too I’m silent, judging it useless to speak. I said how my own character seemed to cut out a shape like a shadow in front of me. This she understood (I give it as an example of her understanding) & proved it by telling me that she thought this bad: one ought to merge into things.

[…] It suddenly strikes me as I write that I should like to ask her what certainty she has of her work’s merit. - But we propose to write to each other - She will send me her diary. Shall we? Will she? If I were left to myself I should; being the simpler, the more direct of the two. I can’t follow people who don’t do the obvious things in these ways. I’ve recanted about her book; I shall review it; but whether she really wanted me to, God knows. Strange how little we know our friends.

V. Woolf about Katherine Mansfield. Diary Entry. 25 August 1920.

09:30 pm, reblogged from surprised! by awritersruminations19 notes

I am so down in the depths that I cannot imagine anything ever fishing me up again.
Katherine Mansfield, from a letter to Virginia Woolf, November 1917

09:30 pm, by awritersruminations262 notes

It is ages since I have heard of Virginia [Woolf]. I thought she would have a new book out this winter. Perhaps it will come in the spring. I can see her in that dress. She is a lovely creature in her way.
Katherine Mansfield, from a letter to Dorothy Brett, 22 December 1921

11:21 pm, by awritersruminations18 notes

acandleandawick:

Katherine has been dead a week, & how far am I obeying her “do not quite forget Katherine” which I read in one of her old letters. Am I already forgetting her? It is strange to trace the progress of one’s feelings. Nelly said in her sensational way at breakfast on Friday “Mrs Murry’s dead! It says so in the paper!” At that one feels - what? A shock of relief? - a rival the less? Then confusion at feeling so little - then, gradually, blankness & disappointment; then a depression which I could not rouse myself from all that day. When I began to write, it seemed to me there was no point in writing. Katherine won’t read it. Katherine’s my rival no longer. More generously I felt, But though I can do this better than she could, where is she, who could do what I can’t! Then, as usual with me, visual impressions kept coming & coming before me - always of Katherine putting on a white wreath, & leaving us, called away; made dignified, chosen. And then one pitied her. And one felt her reluctant to wear that wreath, which was an ice cold one. And she was only 33. And I could see her before me so exactly, & the room at Portland Villas. I go up. She gets up, very slowly, from her writing table. A glass of milk & a medicine bottle stood there. There were also piles of novels. Everything was very tidy, bright, & somehow like a dolls house. At once, or almost, we got out of shyness. She (it was summer) half lay on the sofa by the window. She had her look of a Japanese doll, with the fringe combed quite straight across her forehead. Sometimes we looked very steadfastly at each other, as though we had reached some durable relationship, independent of the changes of the body, through the eyes. Hers were beautiful eyes - rather doglike, brown, very wide apart, with a steady slow rather faithful & sad expression. Her nose was sharp, & a little vulgar. Her lips thing & hard. She wore short skirts & liked “to have a line round her” she said. She looked ill - very drawn, & moved languidly, drawing herself across the room, like some suffering animal. I suppose I have written down some of the things we said. Most days I think we reached that kind of certainty, in talk about books, or rather about our writings, which I thought had something durable about it. And then she was inscrutable. Did she care for me? Sometimes she would say so - would kiss me - - would look at me as if (is this sentiment?) her eyes would like always to be faithful. She would promise never never to forget. That was what we said at the end of our last talk. She said she would send me her diary to read, & would write always. For our friendship was a real thing we said, looking at each other quite straight. It would always go on whatever happened. What happened was, I suppose, faultfindings & perhaps gossip. She never answered my letter. Yet I still feel, somehow that friendship persists. Still there are things about writing I think of & want to tell Katherine. If I had been in Paris & gone to her, she would have got up & in three minutes, we should have been talking again. Only I could not take the step. The surroundings - Murry & so on - & the small lies & treacheries, the perpetual playing & teasing, or whatever it was, cut away much of the substance of friendship. One was too uncertain. And so one let it all go. Yet I certainly expected that we should meet again next summer, & start fresh. And I was jealous of her writing - the only writing I have ever been jealous of. This made it harder to write to her; & I saw in it, perhaps from jealousy, all the qualities I disliked in her.

Virginia Woolf, diary entry, 16 January 1923.

09:29 pm, reblogged from surprised! by awritersruminations18 notes

… I should love to come to Asheham on the 17th. Do have me. My story [Prelude] I have sent to the typist who lets me have it back on Thursday. I couldn’t cope with the copying: I’ve been so ‘ill.’ Rheumatics plus ghastly depression plus fury. I simply long to see you. I want to talk too about your Mark on the Wall. Now shall I write about it or talk about it? Tell me, may I come and see you on Sunday at the tea time or after supper time or whenever it suits you? Or when may I come? I thought you had finally despatched me to cruel callous Coventry, without a wave of your lily-white hand.
Katherine Mansfield, to Virginia Woolf (August 1917)

09:30 pm, by awritersruminations15 notes

As usual, I find with Katherine what I don’t find with the other clever women a sense of ease & interest, which is, I suppose, due to her caring so genuinely if so differently from the way I care, about our precious art.
Virginia Woolf, diary entry (22 March 1919)

(Source: acandleandawick)


10:56 pm, reblogged from surprised! by awritersruminations11 notes

lolamgc:

Virginia Woolf’s letter to Katherine Mansfield, 13 February 1921

(Source: lunaphilia)

05:43 pm, reblogged from xcvii by awritersruminations119 notes

All last night I dreamt of Katherine Mansfield & wonder what dreams are; often evoke so much more emotion, than thinking does—almost as if she came back in person & was outside one, actively making one feel; instead of a figment called up & recollected, as she is, now, if I think of her. Yet some emotion lingers on the day after a dream; even though I’ve now almost forgotten what happened in the dream, except that she was lying on a sofa in a room high up, & a great many sad faced women were round her. Yet somehow I got the feel of her, & of her as if alive again, more than by day.
Virginia Woolf, in a diary entry dated July 7th, 1928

08:30 pm, by awritersruminations39 notes

Still there are things about writing I think of & want to tell Katherine…I have the feeling that I shall think of her at intervals all through life. Probably we had something in common which I shall never find in anyone else.
Virginia Woolf, on Katherine Mansfield, from a diary entry dated January 16th, 1923 (a week after KM’s death)

08:30 pm, by awritersruminations28 notes

She had her look of a Japanese doll, with the fringe combed quite straight across her forehead. Sometimes we looked very steadfastly at each other, as though we had reached some durable relationship, independent of the changes of the body, through the eyes. Hers were beautiful eyes—rather doglike, brown, very wide apart, with a steady slow rather faithful & sad expression. Her nose was sharp, & a little vulgar. Her lips thin & hard.
Virginia Woolf, on Katherine Mansfield, from a diary entry dated January 16th, 1923 (a week after KM’s death)

08:31 pm, by awritersruminations53 notes

I had my interview with K.M. on Friday. A steady discomposing formality & coldness at first. Enquiries about house & so on. No pleasure or excitement at seeing me. It struck me that she is of the cat kind: alien, composed, always solitary & observant. And then we talked about solitude, & I found her expressing my feelings, as I never heard them expressed. Whereupon we fell into step, & as usual, talked as easily as though 8 months were minutes […]. Then asked me to write stories for the Athenaeum. “But I don’t know that I can write stories” I said, honestly enough, thinking that in her view, after her review of me, anyhow, those were her secret sentiments. Whereupon she turned on me, & said no one else could write stories except me.
Virginia Woolf, on Katherine Mansfield. Diary entry dated 31st May 1920. (via acandleandawick)

05:16 pm, reblogged from surprised! by awritersruminations18 notes

Part of the fascination of her is the obligation she is under to say absurd things.
Virginia Woolf, on Katherine Mansfield

08:31 pm, by awritersruminations39 notes



Part of a letter Virginia Woolf wrote to Katherine Mansfield on February 13, 1921
In this long letter to Katherine Mansfield, Woolf talks about how important it is “that women should learn to write.” Mansfield echoes Woolf’s dedication to the art of writing in her journal fragment: “What is your ultimate desire—to what do you so passionately aspire? To write books and stories and sketches and poems.” These two fiercely committed writers had an intimate but guarded friendship. Prelude by Katherine Mansfield was the second publication of the Hogarth Press. Leonard and Virginia Woolf spent nine months printing and binding three hundred copies by hand. In her letter Woolf tells Mansfield that the reviews are enthusiastic: “Morgan Forster said that Prelude & The Voyage Out were the best novels of their time…”
Woolf was writing Jacob’s Room in 1921, but had to break off from fiction writing to earn money for printing paper: “I shall write an article on Dorothy Wordsworth and so pay for our new sheets.” In her letter, Woolf also contrasts her style to Mansfield’s: “What I admire in you so much is your transparent quality.” In Jacob’s Room: “I’m always, chopping & changing from one level to another. I think what I’m at is to change the consciousness, & so to break up the awful stodge… I feel as if I didn’t want just all realism any more—only thoughts & feelings—no cups & tables.”
Woolf also talks about the genesis of her short story, “A Society,” which was published along with other short pieces in Monday or Tuesday: “Like an idiot I lost my temper with Arnold Bennett and wasted my time writing a foolish violent, I suppose unnecessary satire… Suppose some poor wretch who wanted to write was put off by that little grocer?” Mansfield particularly admired “Kew Gardens” from Monday or Tuesday. 
In the letter, Woolf also gossips about her friends T. S. Eliot and Lytton Strachey: “I like Eliot, & pity him, as if he suffered a great deal from having acquired a shell which he can’t lift off. Meanwhile all sorts of things grow underneath, very painfully. But this is guess work. We only make signs to each other. Lytton is as mellow as a pear. Queen Victoria is done, & he is set up for life on the proceeds.” Lytton Strachey dedicated his 1921 biography of Queen Victoria “To Virginia Woolf.”
Source

Part of a letter Virginia Woolf wrote to Katherine Mansfield on February 13, 1921

In this long letter to Katherine Mansfield, Woolf talks about how important it is “that women should learn to write.” Mansfield echoes Woolf’s dedication to the art of writing in her journal fragment: “What is your ultimate desire—to what do you so passionately aspire? To write books and stories and sketches and poems.” These two fiercely committed writers had an intimate but guarded friendship. Prelude by Katherine Mansfield was the second publication of the Hogarth Press. Leonard and Virginia Woolf spent nine months printing and binding three hundred copies by hand. In her letter Woolf tells Mansfield that the reviews are enthusiastic: “Morgan Forster said that Prelude & The Voyage Out were the best novels of their time…”

Woolf was writing Jacob’s Room in 1921, but had to break off from fiction writing to earn money for printing paper: “I shall write an article on Dorothy Wordsworth and so pay for our new sheets.” In her letter, Woolf also contrasts her style to Mansfield’s: “What I admire in you so much is your transparent quality.” In Jacob’s Room: “I’m always, chopping & changing from one level to another. I think what I’m at is to change the consciousness, & so to break up the awful stodge… I feel as if I didn’t want just all realism any more—only thoughts & feelings—no cups & tables.”

Woolf also talks about the genesis of her short story, “A Society,” which was published along with other short pieces in Monday or Tuesday: “Like an idiot I lost my temper with Arnold Bennett and wasted my time writing a foolish violent, I suppose unnecessary satire… Suppose some poor wretch who wanted to write was put off by that little grocer?” Mansfield particularly admired “Kew Gardens” from Monday or Tuesday.

In the letter, Woolf also gossips about her friends T. S. Eliot and Lytton Strachey: “I like Eliot, & pity him, as if he suffered a great deal from having acquired a shell which he can’t lift off. Meanwhile all sorts of things grow underneath, very painfully. But this is guess work. We only make signs to each other. Lytton is as mellow as a pear. Queen Victoria is done, & he is set up for life on the proceeds.” Lytton Strachey dedicated his 1921 biography of Queen Victoria “To Virginia Woolf.”

Source

11:15 pm, by awritersruminations192 notes

I was jealous of her writing. The only writing I have ever been jealous of.
Virginia Woolf on Katherine Mansfield (Diaries, vol. 2, p. 227)

(Source: proustitute)



My Dear Virginia

Please don’t talk of a triumph, even in jest. It makes me hang my head. I wish some day I might deserve your long generous letter - but the day is far off, I realise that. Thank you for it all the same. It came on Xmas day too, and so was a two-fold gift.

I think of you often - very often. I long to talk to you. Here, at last then is time to talk. If Virginia were to come through the gate & were to say “Well - Katherine” - oh, there are a thousand things Id like to discuss.

I wonder if you know what your visits were to me - or how much I miss them. You are the only woman with whom I long to talk work. There will never be another.
But leagues divide us. I have taken this little house until the end of 1922. Perhaps you will come here before then. It is in the country & there is a garden & a stone terrace. It is solitary but not lonely. One lives by the sky again - by the changes of cloud & light. Whenever I think of Asheham it is of clouds - big golden clouds, hazy, spinning slowly over the downs -

Oh, how beautiful Life is, Virginia, it is marvellously beautiful. Were one to live for ever it would not be long enough. Sometimes I sit on the wall watching the sun & the wind shake over the long grass & the wild orchid cups & I feel - - - simply helpless before this wonder.

Farewell dear friend. (May I call you that).

Yours ever
Katherine

[Letter to Virginia Woolf]

04:03 am, by awritersruminations24 notes